And perhaps we can go from here to the concept that “experimental education” of what ever sort may be the equivalent of the sort of “human experimentation” which was done by the Nazi regime between 1933 and 1945.
Ok, guys, I thought we were supposed to be against torture, not for it…
though I suppose certain people would think that Gregorian Chant is torture like how we think the Gather book is torture.
This weekend I visited a nearby parish. I admit freely that I wanted to see inside the beautiful church (from 1912) and take a closer look at the Marian garden modelled after Fatima. The musicians played traditional and contemporary hymns on guitar, mandolin, hammered dulcimer, violin, flute, and accordian (or concertina, I think it’s called). Everyone in church sang because everything was pitched low enough. And, of course, all the lyrics reflected the message of the day’s Gospel.
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And perhaps we can go from here to the concept that “experimental education” of what ever sort may be the equivalent of the sort of “human experimentation” which was done by the Nazi regime between 1933 and 1945.
To dream the impossible dream….
This would be quite humorous if not for the terrible damage that the St. Louis Jesuit’s musical genre does to the liturgy.
You guys are starting to scare me……
Ok, guys, I thought we were supposed to be against torture, not for it…
though I suppose certain people would think that Gregorian Chant is torture like how we think the Gather book is torture.
This weekend I visited a nearby parish. I admit freely that I wanted to see inside the beautiful church (from 1912) and take a closer look at the Marian garden modelled after Fatima. The musicians played traditional and contemporary hymns on guitar, mandolin, hammered dulcimer, violin, flute, and accordian (or concertina, I think it’s called). Everyone in church sang because everything was pitched low enough. And, of course, all the lyrics reflected the message of the day’s Gospel.